Espacios: La Isla Bonita
There are times when certain places become portals to other worlds, showing us what could be and teaching us lessons.
Mediterranean breeze, spring nights, the murmurs of oak and pine. Escapism into free love, music, and pleasure. The embodiment of a culture obsessed with freedom; the concrete manifestation of Allen Ginsberg’s proverbial flower power, which landed in Spain, 80 kilometers into the Mediterranean. On an island of just over 500 square kilometers.
They were fortunate to arrive in a place of tolerance: the payeses of Ibiza are still as they have always been: calm and hospitable people. The good nature of the locals and the rustic, wild, secluded, and somewhat primitive beauty of the island began to attract young Europeans and Americans in the early 1960s, in a world increasingly tense due to the global political situation stemming from Vietnam and the Cold War. Among them were artists, musicians, writers, and individuals interested in new ways of living and connecting.
Ibiza, which until then had been a small, rural, and rather poor island of goats and fig trees, began to gradually transform into a refuge for those seeking to escape social conventions. The atmosphere of experimentation and the search for new forms of expression laid the foundation for a culture open and receptive to musical innovation and partying.
The hippie parties on beaches and in farms made space for the first bars and nightclubs. Franco was tranquilo with the island, and the parties and the money sent into the island by the families of the hippies slowly but surely swept away the prohibitions. Ibizan women began not only to dress like the visitors but also to adopt their habits, which did not sit well with the local bishop:
With a very different attitude, philosopher Antonio Escohotado left his job at the Bank of Spain and arrived in Ibiza in 1969 on a leave of absence seeking adventure. In 1976, he founded Amnesia in a casa payesa—a peasant house—, which became a meeting point for the hippie community, and, eventually, one of the island’s landmark venues.
Today’s Ibiza is not the same as it once was. The payeses who allowed the hippies to come, the openness, the tolerant environment, the simple way of life—all of that is gone forever. In the 2000s, the island grew to become not only a center for—often mindless—youth entertainment but also a magnet for VIPs, celebrities, and luxury tourism. Now it operates at two speeds: the slow and relaxed pace of the locals, and the exaggeratedly fast pace of tourists eager to burn through the hours until they see their boss’s face again in Manchester or Rotterdam.
Oriol Maspons, the golden photographer of the Gauche Divine made his way to the beach before it all went downhill. The images are woven from the same fabric as dreams.