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Mascara sistema

Concealed within a hidden layer or tucked away somewhere in certain GOSPEL ESTUDIOS garments, there is a mask that’s up to you to use, contingent on the moment’s requirements. The mask sets us free, removing the weight of our identity. Voluntarily shedding our face enables us to embrace all possible faces.

Sometimes it's better to keep them wondering.

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 1)
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)
GOSPEL ESTUDIOS:OUR ARCANA HULLA WORN BY ISRA AND HIS MUM DOLORS (Thumbnail)
OUR ARCANA HULLA WORN BY ISRA AND HIS MUM DOLORS
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)

«Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth».

Oscar Wilde wrote those words in 1891, (using 'man' in the typical fashion of the era that excluded women altogether) and indeed the máscara has always been a disruptive element that sparks questions about identity, individuality and truth. There are masks to stand apart from the community, and masks to become one with it. Masks that represent truth and masks to conceal it. With the mask on, you speak one way, and without it, another. All cultures across history have crafted masks to explore who we are, what scares us, and whom we wish to scare.

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 1)
GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 2)

The mask, la máscara, is important for us because it embodies ritual, festivity, mystery, and the duality of human nature. It has been with us since archaic times, and we have always felt its menacing and alluring presence. The mask transcends language, but even if you look at language, the word "person" comes from the Latin persona, which means ‘mask’. Our individual identity is modulated by our interactions within society. In a sense, we are all wearing a mask to present ourselves to the world. The mask itself might represent the truest expression of humanity.

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 3)
GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 2)

Mascarada by Cristina García Rodero – Montamarta (Zamora)

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 3)

Cipotegato – Tarazona (Aragón)

The Taumaturgo has a hidden mask on the hood

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 1)
GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 2)

Michel Foucault — "Utopian body" (1966)

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 3)
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)
GOSPEL ESTUDIOS: (Thumbnail) GOSPEL ESTUDIOS: (Thumbnail alt.)

Anonymity rejects the cult of personality, allowing us to become part of the unknown. There’s no greater protection than that of a mask; beneath its cover, all transformations become possible. We can assume any persona we wish.

In carnival traditions, wearing it allows us to transcend our usual identity and explore new directions without fear of judgment. It is liberating, letting us make jaleo and let loose. During uprisings and protests, masks enable all individuals to merge into one, shielding people together and uniting them under a shared persona. What are we, and what are we with a mask? We are us; we are everyone. We remain ourselves even with the mask on because, in reality, we’re never not wearing one.

Throughout the breadth of our land, masks echo the ancient dialogue between pagan traditions and Christian festivals. They emerge as silent storytellers, reviving forgotten spirits, gods, and ancestors that walk among us on festive days, disrupting the regular cadency of everyday life. From Navarra to Cáceres, from Galicia to Granada, very different masks act like relics that reconnect the present with the divine, transforming everyday life into a playground for the cosmic dance between yesterday and today.

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 2)

Carnaval: Guirrios by Cristina García Rodero – Velilla de la Reina (León)

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 3)

Antruejo Hoodmask

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 1)

Arcana Hoodmask

GOSPEL ESTUDIOS: Sistemas / Mascara sistema (Fig. 2)
A MASK CAN BE USEFUL FOR DISGUISING YOURSELF.
A MASK CAN BE USEFUL AS A PHYSICAL BARRIER AGAINST COLD OR WIND.
A MASK CAN BE USEFUL AS AN AESTHETIC STATEMENT.
A MASK CAN BE USEFUL FOR PORTRAYING DIFFERENT CHARACTERS.
A MASK CAN BE USEFUL FOR MAINTAINING HYGIENE IN PUBLIC SPACES.
A MASK CAN BE USEFUL FOR MAINTAINING ANONIMITY IN PUBLIC SPACES.
A MASK CAN BE USEFUL FOR PROTECTING YOUR IDENTITY IN HOSTILE ENVIRONMENTS.
A MASK CAN BE USEFUL FOR PARTICIPATING IN CULTURAL AND CEREMONIAL EVENTS.
A MASK CAN BE USEFUL FOR HIDING A BADLY SHAVEN BEARD OR MISAPPLIED LIPSTICK.
A MASK CAN BE USEFUL FOR MEDITATING ON THE CONCEPT OF IDENTITY AND EGO.
A MASK CAN BE USEFUL FOR AVOIDING DETECTION BY FACIAL RECOGNITION TECHNOLOGIES.
A MASK CAN BE USEFUL FOR SMUGGLING SMALL ITEMS.
A MASK CAN BE USEFUL FOR CONDUCTING PRANKS.
A MASK CAN BE USEFUL FOR PROTECTING YOUR FACE FROM SUNBURN.
A MASK CAN BE USEFUL FOR CONDUCTING UNDERCOVER OPERATIONS.
A MASK CAN BE USEFUL FOR CONDUCTING RITUALS.